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Glossary of Construction
and
Decorative Techniques
for Jewelry©
Excerpted
from Warman’s Jewelry,
3nd Edition
Krause Publications,
2002
BEAD SETTING: for gemstones, raising beads of metal
from the surrounding surface to hold a stone in place
BEZEL: a flat band of metal encircling and holding a
stone in place by means of a burnished edge, usually an integral
part of a piece of jewelry
BLOOMED GOLD: karat gold which has been treated with
nitric acid, causing the alloy to dissipate from the surface,
leaving a thin matte surface layer of pure gold (has a "frosted"
appearance)
CANNETILLE [kan TEE yuh]: lit., flat twisted
braid (of gold or silver), decorative technique, twisted
wire filigree forming cone-shaped scrolls or spirals, usually
as part of a setting or framework for gemstones
CASTING: molten metal poured or forced into a mold
made from a design model
CHASING: decorative technique, application of a design
to the front surface of metal, by indenting and raising with
hand tools, without removing any metal
CHANNEL SETTING: a groove or trough engraved inside
two parallel strips of metal to hold a stone (often a row of
stones) in place
COLLET: a collar or tube of metal (often with a millegrained
edge) holding a stone in place and attached to a piece of jewelry
CUT-DOWN COLLET: stone-setting technique in which vertical
ribs of metal are raised around a collet to hold a stone
in place
DAMASCENING: decorative technique, the embedding of
gold and/or silver wire and/or cutout sheet metal shapes into
a blackened iron or steel base (a.k.a. "inlaid metal")
DIE ROLLING: repeating design created by rolling thin
metal sheets between two steel rollers incised with a pattern
DIE STRIKING or STAMPING: the creation of a design
in relief with the pressure of incised steel dies on flat sheet
metal. Can resemble hand techniques, such as repoussage
or filigree
ENGRAVING: decorative technique, the application of
a design or pattern to the front surface of metal or stone by
incising and removing material from the surface
ETCHING: decorative technique, the application of
a design or pattern to the front surface of metal using acid
to remove metal from the surface
FABRICATION: hand construction using soldered sheet
and wire
FILIGREE: decorative technique using fine metal wire
to create a pattern or design
FORGING: the shaping of metal by heating and hammering
GRANULATION: decorative technique using minute spheres
of metal (usually gold) applied to a same-metal surface
without using solder (eutectic bonding). Mock granulation uses
solder to achieve a similar effect
GYPSY SETTING: technique for holding gemstones in place
so that the table is flush with the metal surface, most often
used for rings. When radiating lines are engraved in the surrounding
metal, called "star-cut setting"
INVISIBLE SETTING: gemstones cut to fit a setting (calibré)
and grooved on the underside so they can be slid along a metal
track to hold them in place with no metal showing from the front
MARRIED METALS: the creation of a design in contrasting
colors of metal (e.g., silver, brass, copper), each metal piece
cut out and put together like a jigsaw puzzle to form the design,
the edges butted and joined using minimal amounts of solder
to form a smooth solid surface (a.k.a. "metal mosaic")
MILLEGRAINING: decorative technique, also used for stone-setting,
using a knurling tool to create a series of small raised beads
along the top edge of a metal strip or collet
PATINATION: the coloring of metals by the application
of chemicals to simulate a natural patina or oxidation
PRONG SETTING: for faceted gemstones, four or more
tapered metal claws (prongs) spaced equidistant around the girdle
of a stone to hold it in place
SAW PIERCING: decorative technique, the creation of
an openwork design or pattern by cutting away metal, often used
for platinum in the early 20th century
SHAKUDO: Japanese alloy of copper with small amount
of gold
SHIBUICHI: Japanese alloy of copper with silver, tin,
and lead or zinc
SOLDERING: the joining of metal parts using an alloy
of lower melting point. Soft solders (lead and tin alloys) melt
at the lowest heat. Hard solders (gold, silver, brass, or platinum
alloys) require higher heat but make a stronger bond.
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